redeconstructions / an tobar

Al Varady / Cian Hayes

27th January - 9th March 2024

Opening reception 2-5pm 27th January

Redeconstructions / An Tobar presents recent work from Solas co-owners Al Varady and Cian Hayes.

Press release.

Image credit: Al Varady / Cian Hayes

redeconstructions

The lockdown altered how I work. No longer readily able to wander the streets, I used what was around my house, what caught my attention. And I added to it, modifying the process to solve issues that rose up while shooting. The materials aren’t important. The forms they make and their interactions are. Consider the image as a whole, while also considering the music of its construction. Balance and tension figure in these constructions that are often on the verge of collapsing to a resting state. Chance plays its part. Things don’t last, but while they do, are sometimes beautiful and worth considering.

an tobar

White flowers suspended in the branches of a tree, fragments of sky fallen to ground. An upturned stump, a gaping black pit held in its roots. A doorframe of branches, a path from here to somewhere else, take another step and it disappears never to be seen again. This patch of forest near my house has become a place where I walk, to see the contents of my brain poured out, and to find a point of focus to bring it all back together.

While walking in this forest I was reminded of two bodies of superstition from where I grew up. The first is that there are places - trees, rocks, the corner of a field - that are avoided because they belong to beings from another world (na daoine sí, the good folk, faeries if you absolutely must), and there are superstitions about how those beings will take their revenge if they, or their places, are disrespected. The second is that there are places - usually water sources - with healing properties, places that people afflicted by some illness would go to for healing, or to pray to some saint to which the place is dedicated.

I don’t believe in these superstitions, but I want them to be preserved. More than preserved, I want them to live. I want to find the practices relevant and to contribute to their preservation, to remember the story and find the practice beneficial even as I reject the beliefs. Together these bodies of superstition describe a land with agency and woven with stories, a land that should be respected and that we are subject to rather than one we have dominion over.

I emigrated a long time ago, so this is not the same land that gave rise to those stories and traditions. I’m a guest here where generations before me have been colonizers and refugees. Did those prior generations carry the same stories and traditions and look for evidence of them in this unfamiliar land? Did they find that evidence? I think I see it, but I also think the act of looking for it is half the battle. I think questioning how we see the world, paying attention, is an act of care, for the environment and for myself.

al varady

Al Varady has a BA, English, Bard College and completed the Certificate Program at the Photographic Center Northwest.

https://www.alvarady.com/

Instagram: @alvarady

cian hayes

Cian Hayes is an Irish photographer and curator living in Seattle. He grew up in Clonakilty, a small seaside town in the southwest of Ireland, and moved to Seattle in 2008. He graduated from Photographic Center Northwest’s Certificate Program in 2017, and in 2023 he co-founded Solas Gallery.

His photographic practice ranges from process based – exploring the craft and material of photography, and experimental ways of making images – to autobiographical, using photography as a tool for understanding personal and cultural relationships.

https://www.cian-hayes.com/

Instagram: @cian.m.hayes